VOICES OF THE FORESTS – COLLECTION I
We are proud to present the inaugural Voices Of The Forests Collection
75% of sale proceeds are donated directly to Forests Without Frontiers to help them plant 1 million trees by 2025.
Trees are the lungs of Planet Earth. We wholeheartedly thank the artists for their generous contribution to this much needed activity – now more than ever.
Voices Of The Forests – Collection I
‘WATCHING’ BY STANLEY DONWOOD
Limited edition of 10
Silk screen prints 120 × 84 cm
Background with marbled copper gilding and 23ct gold leaf
Created for the first time using a new printing technique
The largest screen print Stanley Donwood has ever produced
And therefore the rarest prints yet made by the artist
Signed and numbered by artist
Stanley Donwood is best known for his hauntingly beautiful and intricate tree drawings and his work with the band Radiohead, having created all their album and poster art since 1994, often in collaboration with Radiohead singer Thom Yorke. Among other projects are book covers for JG Ballard’s novels, the artwork for Glastonbury Festival, a book about holloways with Robert Macfarlane, and art installations and exhibitions around the world. He also creates artwork for Thom Yorke’s solo albums and Atoms for Peace.
@stanleydonwood
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“‘Watching’ – began life as a drawing of a sunken lane, a footpath, in Dorset named Hell Lane. Despite the rather forbidding name, this place, in fact this whole area of Dorset is quiet, green and safe. This wasn’t always the case; these lanes were where Catholic sermons were preached in secret, during times when to be Catholic was akin to a death sentence. Later, in the 1940s, the writer Geoffrey Household used the location for the dramatic final episodes of his novel ‘Rogue Male’. And later still, Hell Lane was visited by myself and the writers Robert Macfarlane and Dan Richards; the result of our nocturnal sojourn is documented in our book ‘Holloway’.
I’ve been unable to shake this strange lane, this largely forgotten sunken track from my mind, and have returned to it artistically on several occasions. For this drawing, I have included shadowy figures – watchers – along the ridge of the holloway. Whether they watch as guardians – or as some kind of threat – depends, perhaps, on our intent, on how we plan to inhabit this quiet, green and secret place.”
— Stanley Donwood
‘DARK FLORA’ BY JASPER GOODALL
Foraged from 1 sq km in the Sussex Wealden woodland
Seasonal compositions of the overlooked undergrowth
40 x 55 cms
Framed in waxed oak
Photographer, senior lecturer at Brighton University, ex-illustrator Jasper Goodall set trends in the early 2000’s with his illustration work. Best known for his editorials in The Face magazine and his creation of ethereal imagery for the English rock band Muse – Goodall now re-imagines his creative output through exploring the landscape at night. His images capture the stillness, the sense of hushed, waiting presence that is palpably felt between the dark boughs.
@jaspergoodall
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“Dark Flora is a series of still life studies using arrangements of foraged flora collected from Sussex Wealden woodland. Each composition was collected seasonally, often within one day, and foraged from within roughly one square kilometre of wild land. As such each image can be seen as a snapshot ‘portrait’ of the area at a certain moment in the yearly cycle. These arrangements are inspired by Victorian dioramas that were used to display taxidermy specimens in a facsimile of their natural environment – they present a curated, controlled and romanticised version of the wild landscape. Through these still life images and my forest landscapes I seek to create a ‘fairytale’ version of the natural world that evokes a sense of the landscape containing magic. Historically the landscape was related to in an animistic way – trees or flowers contained spirits or fairies, groves were inhabited by dryads or elves etc. If we can, once more begin to relate to the natural world not as a resource to plunder, but an entity to come to know, love and revere, we may rekindle a much needed sacred relationship.
Focusing on commonplace plants the images seek to draw attention to often overlooked ‘undergrowth’ that we often miss as we take in a larger vista. Using everyday specimens means that guidelines for wild plant collection are easily adhered to and where necessary plants are shot in-situ and not picked (e.g. fly agaric mushrooms) and added to the arrangement in post-production.”
— Jasper Goodall
‘KILMINORTH WOODS, CORNWALL’ BY FIONA WHITEHOUSE
Acrylic and mixed media
100 × 100 cm
Unframed
Fiona Whitehouse mainly paints trees and landscapes, exploring light and colour in their most expressive forms. The landscapes she paints reflect what she sees as well as what she feels. The paintings also give a sense of the ever-changing nature of different seasons and time. We believe her treatment and choice of colour is second to none.
@fiona_whitehouse_paintings
www.fionawhitehousepaintings.com
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Voices Of The Forests – Collection I
curated by Art For A Better World
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